October 1, 2019

Walking a Labyrinth to Get to a Labyrinth, part 1 by Randy Thompson

Until recently, labyrinths weren’t for me. From what I could make out, they were for people seeking that emotional warming oven known as “spirituality,” which may indeed warm but too often only leaves one half-baked.  For the life of me, I couldn’t see the point of labyrinths and certainly couldn’t imagine myself ever walking through one.

Until a month ago.

Labyrinths, for those of you who don’t pay attention to such things, are meant to be “done.”  That is, they’re a circular, maze-like pathway either painted on the ground or consisting of a a twisty-turny pathway through shrubbery leading to a center point. It looks like a maze, but, unlike a maze, it’s not designed to confuse you or get you lost. You can’t see where the labyrinth will take you, but, if you patiently follow the pathway, it will lead you in time to the center of it.  You follow the twisty-turny pathway until it ends in the center, which, for me, is the love of God. But, I’m getting ahead of myself.

The path that led me to a labyrinth on Prince Edward Island was something of a labyrinth walk in and of itself.

It began late last spring.  I found myself exhausted and not a little depressed.  My wife and I operate a small retreat for pastors, missionaries and their spouses called Forest Haven. We live in a quiet, wooded part of New Hampshire, a beautifully perfect place to come away on a retreat.  “Perfect,” that is, for everyone except my wife and I.  The place of rest we offer to pastors requires a lot of work; we work here so pastors can rest here.  So, what do you do and where do you go when you need to get away for rest?

Besides Forest Haven, I am also the part-time pastor of a warm, welcoming little church in Concord, about forty-five minutes away. My wife and I love the church to pieces, but the drive to get there gets longer and longer as we get older. And, as getting older might suggest, I am looking at my retirement from pastoral ministry in nine months or so, an event that is both a source of relief and depression.

Late last spring, I became increasingly aware that I needed rest and relaxation, but how? Where?  This awareness was the beginning of the pathway into the labyrinth.  Self-awareness gave rise to prayer, and as I prayed I found myself thinking a lot about Prince Edward Island (PEI), the smallest of Canada’s Provinces, which we had visited the year before. It is a quietly beautiful place of rolling hills of potato fields, reddish brown beaches and cliffs, and small fishing harbors; it has “peaceful and quiet” written all over it.

Of course, daydreaming about a return visit to PEI and paying for it are two different things. I was keenly aware of my desire to go back there, but equally aware that the little money we had available wasn’t going to get us there.  At the time, I saw no correlation between what I was praying and my daydreams of PEI.  After all, I daydream about visiting other places too, like China, France, Switzerland.  Still, though, PEI daydreams seemed different, more real.

The weeks went by.  Our Forest Haven guests came and went.  The daydreams continued.  Then, one evening over dinner, our guests casually mentioned that they had discovered a retreat like Forest Haven on PEI, but it was too far away from them to consider.  Needless to say, their casual comment was not at all casual for me. Eagerly, I asked them if they had any contact information, and, perhaps a bit surprised at my interest, told me they did.

My need to get away and my love for PEI now moved from daydreams to a real possibility. I began to see my PEI daydreams in light of my prayers.  “Healing Presence Christian Retreat” looked exactly like the kind of place we wanted—a simple place to stay at a spacious Christian retreat on the secluded shore of Murray River Basin. It was affordable, too. We contacted them, and, happily discovered that they had an opening for the time we wanted to get away in mid-August.

At this point, let’s pause a moment. Why am I telling a story that many would consider rather trite? Why am I going on and on about something as trivial as a retreat and a vacation? And what about the labyrinth for heaven’s sake?!

We’ll get to the labyrinth in a bit. Suffice it to say that Healing Presence Christian Retreat has a labyrinth, and an impressive one at that, consisting of hedges three or four feet tall.  And, since our Pentecostal hosts, Jim and Barbara, had designed and grown the labyrinth themselves, I couldn’t write it off as some sort of hip, liberal Protestant trendiness.  Since it seemed clear to me that God had led us there, I felt I needed to take their labyrinth seriously and do it.

Near Healing Presence Retreat

As promised, we’ll get to the actual labyrinth in the next section of this labyrinthine ramble. But, now, I’d like to pause and reflect on the fact that our return to PEI wasn’t just my desire for a vacation and a retreat; it was God’s doing.

God does indeed involve himself in our lives when momentous things are at stake, when we reach life’s crossroads where what we decide shapes the future.  But, God also involves himself in the small, trivial things in our lives as well, such as a need for rest. Because of this, it is always worthwhile to pause and reflect on how God’s grace and our lives intersect, how at some moments we find ourselves unwittingly drawn into a thread within the grand tapestry of God’s will.

The road to PEI began with simple self-awareness, that I was physically and mentally tired and not a little depressed over my upcoming retirement.  Nothing spiritual here, seemingly, but self-awareness became the fuel for prayer, as praying is to speak the truth about ourselves to God as best we can. Initially, I didn’t expect anything to come of this confession. The daydreams about PEI began after I started praying about in this way, but I didn’t make that connection at the time. As far as I was concerned, they were still merely daydreams. It wasn’t until our Forest Haven guests told us about a place like Forest Haven on PEI that I realized my daydreams had a source outside of myself.

I have found that prayer affects my decision-making and discernment by making me aware of things I might otherwise have missed or misunderstood.  Praying for some time away also pre-disposed me to share parts of my life with our Canadian hosts that I would not have otherwise shared. And, I certainly would never have walked a labyrinth there, had I not, by this time, become convinced that God was in this whole journey—this labyrinth—even when early on I didn’t know that.

We follow Christ through life not always knowing what we’re doing or where he’s going. We know our ultimate resting place, the center of the labyrinth if you will, but can’t see the way there.  “The Cloud of Unknowing” tells us, “God, the master of time, never gives the future. He gives only the present, moment by moment, for this is the law of the created order, and God will not contradict himself in his creation.”[1]

God only gives us the present moment in which His Spirit meets us to speak and guide. To enter into the presence of God and into God’s future is to enter a “Cloud of Unknowing” where we are known beyond our ability to know. These present moments take us step by step into God’s future, each step building on the previous one so that, in hindsight, we see an order and pattern in our life that we previously couldn’t see.

This is what it is to walk a labyrinth. It is to live forward with confidence into a way that is fundamentally safe though unseen, at least initially. Yet, although the way forward is shrouded in unknowing, at the center of it is a person who is The Way, who leads us home to the household of a Father who embraces his adoptee prodigals in welcome.

Part 2 on Friday: Walking an actual labyrinth as a way of experiencing and entering into the presence of the Father through the love of the Son who is the way, the truth, and the life.

 

[1] This was taken from “A Guide to Prayer for Ministers and Other Servants” (Nashville: The Upper Room). I do not know which translation of “The Cloud of Unknowing” was used here.

Monday with Michael Spencer: The Red Wheelbarrow Debate

 

Monday with Michael Spencer: September 30, 2019
The Red Wheelbarrow Debate

 

so much depends
upon

a red wheel
barrow

glazed with rain
water

beside the white
chickens.

  • William Carlos Williams, “The Red Wheelbarrow”

 

And so once again, my AP English IV class begins its two-quarter study of poetry. I love this part of my course. Teaching poetry is easily my favorite part of being a teacher. Lecturing on poetry, reading it aloud and teaching my students to appreciate it are rare and sublime pleasures for me.

Each year, we visit many of the same poems, and I assign the same essays, questions and readings from “Perrine’s Literature: Structure, Sound and Sense.” Unlike Mr. Keating’s orders to tear out the “What is Poetry?” essay in his lit book, I have my students spend several days working through the characteristics of poetry and the nature of poetic language and art.

Which brings us to Mr. William Carlos Williams’ poem “The Red Wheelbarrow.” My students know it’s there. It’s always there in their literature books, waiting for them. It’s there in the English III study of American poetry. I assume it goes back earlier than that for some of them. So when we thumb through the collected poems in the back of the book on the first day of class, “The Red Wheelbarrow” appears, and the inevitable discussion begins.

Is it any good?

Thomas Aarp makes the point that the appreciation of poetry isn’t a skill we all possess by nature. We have to acquire the vocabulary and the knowledge of poetic elements. The average person would look at Shakespeare’s “Winter,” and say it’s an ugly, bad piece of writing. A person trained in literature sees Will’s genius in almost every line.

So a person with no art appreciation sees a Picasso and sees nothing but a quirky, unintelligible collection of lines and color. A person with artistic appreciation sees genius.

A person with no appreciation for art sees the Mona Lisa and sees a woman’s face. An artistic aesthete sees one of the high points of human creativity.

My students read “The Red Wheelbarrow,” and almost all of them see nothing. The authors of their textbooks, however, the literary critics, see William Carlos Williams as a great artist. They see a poem of utterly simplistic depth, and a poem of almost unparalleled significance in the art of poetry. The keepers of the poetic flame see a poem that will endlessly stimulate students to consider the truth that poetry is the most compressed and compact of literary forms.

I know what’s going to happen, and it only took two days. I am lecturing on the need to develop poetic appreciation in order to critically and aesthetically engage with the poems we are going to read. I’m making the case that education itself includes a commitment to go beyond the ordinary person’s appreciation of a particular area of knowledge or creativity, and to be able to perceive that subject in such a way that the good, the true and the beautiful can be actualized through your contribution.

I’m throwing this rock, however, into the ocean of relativism where my students live. They would probably never argue with me about moral relativism….but “The Red Wheelbarrow?” That’s too easy.

One of my most gifted students is a girl named Vicki. She raises her hand.

“Yes.”

“I’ll never believe “The Red Wheelbarrow” is any good.”

“I’m not surprised. Why do you say that?”

“Just because a professor somewhere says that there are all these great things about that poem doesn’t mean they are really there. He’s just educated himself so much he has to see things like that. It’s not that they are actually there. He simply needs to see them to feel smart.”

“You don’t think it’s possible that it’s a great poem, and you simply refuse to get to the place you can see it’s greatness by learning about poetry?”

She laughs at me. “It’s not a good poem.”

Of course, we’re both right on this one.

I could bring a brick into the classroom and most of my students would see nothing, but a historian of engineering would see the whole history of human advancement.

A glass of milk is the entirety of human dominance of the planet. A pencil is the triumph of technology. A button all of industry. And so on…

Did Williams see all of the human conquest of the world in that red wheelbarrow? Did he see our place in the world, and the world we have made? Or do readers and lovers of poetry stand in front of the wheelbarrow and say profound things so that there will always be books on poetry, and teachers teaching the mysteries of literature to the uninitiated?

What I want Vicki to see is that squirrels don’t think on such things. They see the red wheelbarrow as a thing. We see it as a piece of the puzzle of significance, and yes, there is something about human beings that wants to find the significance within the wheelbarrow and the button and the glass of milk.

Are we making up what is not there, or are we fulfilling our destiny and our created purpose by finding what is there, what should be there, and what can be there? Are the thoughts of literature teachers about poems describing red wheelbarrows so much dust in the wind, or are we exploring what it means to be made in the image of a God who made the world and made us in His image?

It will never be my favorite poem. Minimalism seems to tempt the trap door that Vicki is pointing at. Nonetheless, I see what Williams was doing in this and so many of his other poems. The evidences of our humanity are simple. They speak for themselves in their simplicity, and it is the calling of the poet to see, to listen, to stop, to speak.

And it is our duty to ask if anything- or everything has been said.

So in the beginning was the Word…..and the Word became flesh…and his own received him not.

God sent a Word, and we weren’t ready to hear the ultimate simplicity and clarity. There was, we say, nothing there.

Perhaps everything was there, if we were listening with the ears of poets.

Dispatch from Lausanne: September 29, 2019

Lausanne, Switzerland

Dispatch from Lausanne: September 29, 2019

UPDATE: Some pics from Christ Church, Lausanne.

We have been almost a week in Europe; a couple of days in Zurich and then down to Lausanne on Lake Geneva (Lac Lemon). Here are a few notes on churches we’ve seen and will attend.

As a Christian who practices in the Lutheran tradition, we look to 1517 as the key year in Reformation history, when Martin Luther challenged the theological community of his day to discuss his 95 Theses. But in Switzerland, the important date for the broader Reformation is 1523. That was the year Huldrych Zwingli published his 67 Artikel, which set forth reforms in Zurich.

Grossmünster Church, Zurich

We visited Grossmünster Church in Zurich, where Zwingli served as preaching pastor and advanced his own Reformation agenda throughout Switzerland. It is a primary landmark in the city of Zurich, its two majestic towers dominating the old city skyline.

We also walked across the bridge to Fraumünster Church, another Reformed Church. I was most keen to visit here, because this church has a remarkable set of stained glass windows by one of my favorite artists, Marc Chagall. No photography was allowed inside the building, so I can’t show you what we saw, but in days to come I plan to do a series on Sundays using these windows and the messages they convey, so we will look at them then. Here is a view of the Fraumünster Church, though.

Fraumünster Church, Zurich

Today, we will be attending worship at Christ Church, an Anglican congregation in Lausanne, followed by a tour of Lausanne’s primary landmark, The Cathedral of Notre Dame of Lausanne.

More pictures and reports to come.

Update: Here is Christ Church in Lausanne, exterior and interior.

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